Internationally recognized as a premier museum and research center, the Frick is known for its distinguished Old Master paintings and outstanding examples of European sculpture and decorative arts.

The collection was assembled by the Pittsburgh industrialist Henry Clay Frick (1849–1919) and is housed in his former residence on Fifth Avenue. One of New York City’s few remaining Gilded Age mansions, it provides a tranquil environment for visitors to experience masterpieces by artists such as Bellini, Rembrandt, Vermeer, Gainsborough, Goya, and Whistler. The museum opened in 1935 and has continued to acquire works of art since Mr. Frick’s death.

Adjacent to the museum is the Frick Art Reference Library, founded in 1920 by Helen Clay Frick as a memorial to her father. Today it is one of the leading institutions for research in the fields of art history and collecting.

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Located on New York City’s Museum Mile, the Jewish Museum is a museum at the intersection of art and Jewish culture for people of all backgrounds. Founded in 1904, the Museum was the first institution of its kind in the United States and one of the oldest Jewish museums in the world.

The Museum maintains a unique collection of nearly 30,000 works of art, ceremonial objects, and media reflecting the global Jewish experience over more than 4,000 years. Our distinguished exhibition history reveals a deep and rich exploration of Jewish culture and identity, and includes some of the most seminal exhibitions of the 20th and 21st centuries. Our dynamic education programs – from talks and lectures, to performances, to hands-on art making and more – serve a wide range of audiences, including families, teens, students, educators, and visitors with disabilities.

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Our Mission

To create inspiring encounters with art that expand the ways we see ourselves, the world and its possibilities.

Our Vision

Where great art and courageous conversations are catalysts for a more connected, civic, and empathetic world.

Our Values

Great Art and Great Art Experiences

We hold ourselves to the highest standards of curatorial excellence—from great art and original shows to beautiful installations and canon-expanding scholarship. We strive to create and present inspirational and transformative engagement with our collections, exhibitions, programming, and educational offerings, welcoming all visitors with respect and a true sense of hospitality.

Many Histories and a Shared Future

We work to be conscious of the narratives that shape our visitors’ views of history and their place in the world as well as our own, and we seek out and promote perspectives that expand the stories we tell. We believe the Museum is a place where people can see themselves with dignity and each other with empathy, care, and respect. As a public, civic institution we believe it is our mandate to contribute to the advancement of society with a commitment to true connectedness and diversity.

Openness and Free Expression

We believe that the open and free exchange of ideas among people of diverse beliefs, cultures, and experiences stimulates new understandings and expands insights into our shared humanity and promotes social generosity. We also recognize that differing views may sometimes be met with discomfort and dissent. Since we see ourselves as a conduit for open sharing and learning, we accept the controversies that may accompany courageous conversations.

Action and Impact

We celebrate the cultural vibrancy of our local communities and help build meaningful relationships that elevate and strengthen them. Believing that in action there is hope, we champion the powerful roles art and artists can play in our communities both inside and outside the Museum’s walls.

Experimentation and Risk

In an effort to expand our mission and impact, we strive to be a nimble organization that consistently pursues innovative strategies. We value the challenges associated with trying new things and adapt our strategies as we learn.

Professionalism and Passion

We seek to create a work environment that values hard work, professionalism, accountability, creativity, and achievement. We are committed to creating a community of talented, passionate people who are inspired to make the Museum an important hub of community activity and a great global destination, grow their professional skills, and work collaboratively with colleagues they admire and respect.

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As the preeminent institution devoted to the art of the United States, the Whitney Museum of American Art presents the full range of twentieth-century and contemporary American art, with a special focus on works by living artists. The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection—arguably the finest holding of twentieth-century American art in the world—is the Museum's key resource. The Museum's signature exhibition, the Biennial, is the country's leading survey of the most recent developments in American art.

Innovation has been a hallmark of the Whitney since its beginnings. It was the first museum dedicated to the work of living American artists and the first New York museum to present a major exhibition of a video artist (Nam June Paik in 1982). Such figures as Jasper Johns, Cy Twombly, and Cindy Sherman were given their first museum retrospectives by the Whitney. The Museum has consistently purchased works within the year they were created, often well before the artists became broadly recognized. The Whitney was the first museum to take its exhibitions and programming beyond its walls by establishing corporate-funded branch facilities, and the first museum to undertake a program of collection-sharing (with the San Jose Museum of Art) in order to increase access to its renowned collection.

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's new building vastly increases the Museum’s exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

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